Russian Doll- (2019)

The plot centers around Nadia, who seems like a typical New Yorker, working as a software developer, and living a life of excess. It's her 36th birthday, and while it would be normal for her to feel happy that her friends are throwing her a party, she seems quite disengaged. Something is not right from the beginning. Nadia starts off the night by bailing from her own party to spend the night with a stranger, only to end up dying... again and again. Click on the title to read the full review.

Big Mouth (2017-2020)

This show looks like a teenager sex ed animated comedy. However, the writing is peppered with layers of complexity. It has quickly grown to be one of my favorite shows on Netflix. While I agree with my friend's assessment that the show is "Sex Positive," I also think that is a lot more than that, sort of overall emotion positive. Somehow, the writers managed to sneak in the topic of mental illnesses and even politics into the story while making us laugh and reflect about our own hang ups. Click on the title to read the full review.

Workin’ Moms (2017-2020)

This is a Canadian television sitcom that follows a group of friends as they deal with the challenges of being working mothers. The story revolves around Kate and Anne (two best friends since college) who share a very strong bond, no bullshit between these two. They don't hold anything back and this is shown from the first episode as they stare at each other's bare chest and engage on a debate about the 'sogginess level' of their boobs after motherhood. 😀 The primary driver behind the humor is the indifference shown by society and partners, who have no idea of how hard it is to make it all work. Click on the title to read the full review.

Enola Holmes (2020)

Self-reliance. Wit. Intelligence. Bravery. Just a few words to describe Enola of Netflix’s recently released film Enola Holmes. Why strong depictions of women matter. Click on the title to read the full review.

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